Research
Take a glance at a few of our ongoing projects and feel free to reach out for more information!
Digital Documentation Project (DDP-A) : Century of Progress Exposition, Chicago 1933
I'm a paragraph. Click here to add your own text and edit me. It’s easy. Just click “Edit Text” or double click me and you can start adding your own content and make changes to the font. Feel free to drag and drop me anywhere you like on your page. I’m a great place for you to tell a story and let your users know a little more about you.
This is a great space to write long text about your company and your services. You can use this space to go into a little more detail about your company. Talk about your team and what services you provide.
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Contact: Lisa Schrenk (lschrenk@email.arizona.edu)
DDP-B : Exposition Internationale des Arts et Techniques dans la Vie Moderne, Paris 1937
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I'm a paragraph. Click here to add your own text and edit me. It’s easy. Just click “Edit Text” or double click me and you can start adding your own content and make changes to the font. Feel free to drag and drop me anywhere you like on your page. I’m a great place for you to tell a story and let your users know a little more about you.
This is a great space to write long text about your company and your services. You can use this space to go into a little more detail about your company. Talk about your team and what services you provide.
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Contact: Flavia Marcello (fmarcello@swin.edu.au)
‘Unbuilt Visions’: What Could Have Been
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Throughout the history of international expositions, organizers and designers have envisioned fair pavilions and even whole expositions that were never realized. This includes fairs planned for Miami in 1941, Rome in 1942, and Chicago in 1992. Unrealized pavilions resulted from both changing political and economic conditions in the years leading up to the events and architects and other designers using the expositions as venues through which to present their ideas through paper architecture. This project will bring together research that explores the designs and underlying reasons for exposition visions to remain unrealized and reflect on their lasting significance.
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Contact: James Fortuna (jf253@st-andrews.ac.uk)